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dc.contributor.advisorBeugnet, Martine
dc.contributor.advisorRevie, Ian
dc.contributor.authorValcke, Jennifer
dc.date.accessioned2010-10-26T10:44:44Z
dc.date.available2010-10-26T10:44:44Z
dc.date.issued2009
dc.identifier.urihttp://hdl.handle.net/1842/4061
dc.description.abstractPhotomontage has more to do with film than with any other art form - they have in common the technique of montage. (Sergei Tretyakov) By considering that photomontage and film use the technique of cutting and gluing as dominant artistic device, and that montage, a technique unifying art and technology for the first time, emerged as a dominant artistic feature of the avantgarde, this thesis will explore the ideological and perceptual implications of its advent in avant-garde art and film. The technological advances of the beginning of the twentieth century, and particularly the advent of photography, allowed avantgarde artists to break free from traditional concepts of artistic production – they dispensed with the old criteria of uniqueness, originality, handicraft and personal style. At a time when many avant-garde artists abruptly ceased to paint, photomontage emerged as the privileged locus for a caesura with traditional art forms. Photomontage envisioned film aesthetics insofar as it combines and juxtaposes images of various perspectival planes and angles (Raoul Hausmann described his early photomontages as “motionless moving pictures”). A corresponding observation can be made on the use of montage in cinema, a technique which crucially underpins the illusion of movement created through the succession of photographic stills. The present thesis will investigate photomontage and film in order to examine the effect technological reproduction played in revolutionising artistic production, perception and ideology – where the technique and philosophy of montage was key.en
dc.language.isoenen
dc.publisherThe University of Edinburghen
dc.subjectmontageen
dc.subjectavant-gardeen
dc.subjectphotographyen
dc.subjectfilmen
dc.subjectdadaen
dc.subjectconstructivismen
dc.subjectsurrealismen
dc.titleStatic films and moving pictures: montage in avant-garde photography and filmen
dc.typeThesis or Dissertationen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhD Doctor of Philosophyen


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