Show simple item record

dc.contributor.advisorNelson, Peter
dc.contributor.advisorWilliams, Gareth
dc.contributor.authorGiannotti, Matthew Scott
dc.date.accessioned2018-09-04T09:12:27Z
dc.date.available2018-09-04T09:12:27Z
dc.date.issued2018-07-05
dc.identifier.urihttp://hdl.handle.net/1842/31533
dc.description.abstractThe overall aim of this portfolio was to develop an understanding of how music fits socially, historically, and technically into the landscape of 21st century culture. The aims of the portfolio were to explore static harmony (resonance), statistically similar melodic sequences, electronic drones, rhythmic development (cycles), melodic development, and non-linear textures. A compositional process turned personal journey became the driving energy for these works, and one can see a clear development, as each piece is built on the findings of previous ones. The musical language became more sophisticated as a result of both these new techniques as well as interactions with other collaborators (including musicians, dancers, scientists, visual artists, and programmers). Each of the technical aims was developed throughout the creation of the portfolio. These are among the techniques which helped shape late 20th century music, with the goal of joining some of them together in new and aesthetically pleasing ways. Early on, there was a shift in the way they were applied, especially creating resonance, which was first done with acoustic instruments and then electronic drones. The repetition and rhythmic cycles also developed by using transition matrices from a Markov Chain process to create ‘melody rhythms’ (discussed more in Sequence). Pieces like Lost in Space and Smoke of Freedom were written by combining all of these techniques together in a fusion of static harmony, rhythmic cycles, and expressive melodies. I also had a social motivation when writing these works. For example, Wind Gust 42058 uses the trend of ‘data is the new gold’ by giving the audience a meaningful way to ‘experience the data’. Also, Smoke of Freedom tells the story from the perspective of a man who is oppressed in China, not dissimilar from the four Hong Kong book sellers who were taken away by Chinese authorities for ‘selling restricted books’. When this occurred in 2015, a lot of people were thinking of leaving the city in search of a more open society, and Smoke of Freedom follows the story of a man who does exactly that, leaving everything behind in search of a better life. The Answered Hymn is a unique piece in that it was performed at Westminster Abbey and St. Martin-in-the-Fields for special services celebrating the 500th anniversary of Lutheranism. The performances brought together 12 different choirs from around the world, each singing in their own language, and, in a ‘Post-Brexit’ United Kingdom, aimed to bring together themes of multi-nationalism and peace. The musical language developed during the course of this portfolio shows how musical technique can fit into and comment on the social, technological, and historical landscape of 21st century culture.en
dc.language.isoenen
dc.publisherThe University of Edinburghen
dc.subjectcompositionen
dc.subjectMarkov Chainsen
dc.subjectminimalismen
dc.subjectperforming artsen
dc.subjectballeten
dc.subjectchoiren
dc.subjectorchestraen
dc.subjectchamber musicen
dc.titlePortfolio of compositionsen
dc.typeThesis or Dissertationen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhD Doctor of Philosophyen


Files in this item

This item appears in the following Collection(s)

Show simple item record