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  <title>Edinburgh Research Archive</title>
  <link rel="alternate" href="http://www.era.lib.ed.ac.uk:80" />
  <subtitle>The DSpace digital repository system captures, stores, indexes, preserves, and distributes digital research material.</subtitle>
  <id>http://www.era.lib.ed.ac.uk:80</id>
  <updated>2012-02-22T00:04:28Z</updated>
  <dc:date>2012-02-22T00:04:28Z</dc:date>
  <entry>
    <title>Cross-linguistic study of elliptical utterances in task-oriented dialogues with classroom implications</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5821" />
    <author>
      <name>Otsuki, Kyoko</name>
    </author>
    <id>http://hdl.handle.net/1842/5821</id>
    <updated>2012-02-21T14:42:33Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Cross-linguistic study of elliptical utterances in task-oriented dialogues with classroom implications
Authors: Otsuki, Kyoko
Abstract: Ellipsis is a phenomenon whereby constituents which are normally&#xD;
obligatory in the grammar are omitted in actual discourse. It is found&#xD;
in all types of discourse, from everyday conversation to poetry. The&#xD;
omitted constituents can range from one word to an entire clause, and&#xD;
recovery of the ellipted item depends sometimes on the linguistic and&#xD;
sometimes on the non-linguistic context. From a practical point of&#xD;
view, the contribution of ellipsis in the context is twofold. First, it is&#xD;
one of several important means of achieving cohesion in a text.&#xD;
Secondly, ellipsis contributes to communicative appropriateness&#xD;
determined by the type of linguistic activity (e.g., narrative, casual&#xD;
conversation), the mode of communication (e.g., written / spoken) and&#xD;
the relationship between participants.&#xD;
The aim of this research is to provide a description of the functions of&#xD;
elliptical utterances – textual and interpersonal – in English and&#xD;
Japanese, based on a cross-linguistic analysis of dialogues in the&#xD;
English and Japanese map task corpora. In order to analyse ellipsis&#xD;
in relation to its two key functions, elliptical clauses in the map task&#xD;
dialogues were examined.&#xD;
I discuss how ellipsis is used to realise cohesion in the map task&#xD;
dialogues. The findings challenge the well-known claim that topics&#xD;
are established by full noun phrases, which are subsequently realised&#xD;
by pronouns (English) and null pronouns (Japanese). Rather, the&#xD;
results suggest that full noun phrases are used for topic continuity in&#xD;
both languages.&#xD;
Constituents which are ellipted in an utterance are identified and&#xD;
related to the moves types which the utterance realises within the&#xD;
exchange structure. The ellipted elements will be categorised&#xD;
according to the constituent types (Subject, Finite, Predicator,&#xD;
Complement and Adjunct), using the systemic functional approach.&#xD;
This analysis reveals that whereas in the English dialogues the most&#xD;
common types of ellipsis are that of Subject and Finite elements, in&#xD;
the Japanese dialogues the most common type is that of Subject.&#xD;
Types of ellipsis are also correlated with speech acts in the dialogues.&#xD;
The relation between types of ellipsis and particular speech acts&#xD;
associated with them is strikingly similar in the English and Japanese&#xD;
dialogues, despite the notable difference in grammar and pragmatics&#xD;
between the two languages. This analysis also shows how these types&#xD;
of ellipsis are associated with interpersonal effects in particular&#xD;
speech acts: ellipsis of Subject and Finite can contribute to a sharp&#xD;
contrast in the question and answer sequence, while Subject ellipsis&#xD;
in Japanese can contribute to modifying the command-like force in giving instructions. These effects can be summed up as epistemic and&#xD;
deontic modality respectively. Ultimately, it is argued that some types&#xD;
of ellipsis can serve as modality expressions. Additionally, in&#xD;
comparison to the way of realising the speech act of giving&#xD;
instructions in the English dialogues, it emerges that the Japanese&#xD;
speakers exploit ellipsis, which seems to be associated with lowering&#xD;
the degree of the speaker’s commitment to the proposition.&#xD;
As implications for pedagogical settings, I present pedagogical&#xD;
descriptions of ellipsis for Japanese learners of English and English&#xD;
learners of Japanese. Since the description is for specific learners, the&#xD;
approach which takes the difference in grammar and pragmatics&#xD;
between the two languages is made possible. Although descriptions&#xD;
state some detailed facts of ellipsis in English and Japanese, primarily&#xD;
highlighted is the importance of raising awareness of elliptical forms&#xD;
for particular functions in particular contexts. As ellipsis is a product&#xD;
of forms, functions and contexts, it is a most remarkable feature of&#xD;
spoken language. Spoken language is claimed by some researchers to&#xD;
show similar linguistic features among languages because of the&#xD;
restrictions inherent in the medium on communication. In the form of&#xD;
pedagogical description, I show the similarities and differences in&#xD;
ellipsis which derive from the grammar and pragmatics of each&#xD;
language, which are observed in the preceding linguistic research.&#xD;
Through the presentation of the findings which are modified for&#xD;
learners, learners will know how languages show convergence and&#xD;
divergence cross-linguistically.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Rightward movement phenomena in human language</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5820" />
    <author>
      <name>Kamada, Kohji</name>
    </author>
    <id>http://hdl.handle.net/1842/5820</id>
    <updated>2012-02-21T14:42:06Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Rightward movement phenomena in human language
Authors: Kamada, Kohji
Abstract: The aim of my thesis is to show that some properties of rightward&#xD;
movement constructions (a cover term referring to sentences where an element&#xD;
appears to be “displaced” to the right) may be derived from syntactic principles and&#xD;
interface conditions within the framework of the minimalist program, and also to&#xD;
claim that properties which have up to now been dealt with purely in syntax receive a&#xD;
better account in terms of language processing.&#xD;
I develop a nonmovement approach to the Japanese Post-Verbal&#xD;
Construction (JPVC) by claiming that a postverbal phrase is adjoined to an element&#xD;
by External Merge, and that it is permitted as a syntactic object by a licensing&#xD;
condition which allows it to be construed as an argument or a modifier by&#xD;
interpretive rules at the interface level (SEM/LF). Many syntactic properties of the&#xD;
JPVC are accounted for in terms of independently motivated interface conditions and&#xD;
syntactic principles.&#xD;
I assume that the parser is a system that can make use of UG principles as&#xD;
well as language particular rules, and that the parser should be universal. The&#xD;
interaction of syntactic principles with parsing strategies makes it possible to cope&#xD;
with elusive problems concerning scope ambiguity as well as locality effects&#xD;
observed in the JPVC. This interaction may also account for the Right Roof&#xD;
Constraint effect displayed by the rightward movement constructions in English (i.e.,&#xD;
Heavy "P Shift (H"PS), Extraposition from "P, and Right Dislocation).&#xD;
Furthermore, it predicts that languages fall into three types with respect to the&#xD;
possibility of the HNPS construction: (i) both subjects and objects can appear in&#xD;
postverbal position (e.g., Italian, Japanese, Turkish); (ii) subjects cannot do so (e.g.,&#xD;
English); (iii) neither subjects nor objects can appear in postverbal position (e.g.,&#xD;
Dutch, German).&#xD;
The claim that there is a parsing strategy relating to linear distance is&#xD;
supported by an experiment designed as a test for the effect of the length of&#xD;
intervening elements on acceptability of the JPVC, with the data obtained using&#xD;
Magnitude Estimation, a technique used in psychophysics to measure judgements of&#xD;
sensory stimuli.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>How to make oneself a work of art by killing oneself: three images of suicidal deaths in Deleuze’s religious thought</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5819" />
    <author>
      <name>Osaki, Harumi</name>
    </author>
    <id>http://hdl.handle.net/1842/5819</id>
    <updated>2012-02-21T14:39:34Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: How to make oneself a work of art by killing oneself: three images of suicidal deaths in Deleuze’s religious thought
Authors: Osaki, Harumi
Abstract: My thesis will explore Gilles Deleuze’s thoughts on suicide which may illuminate&#xD;
the meaning of his own suicide. In Chapter 1, I begin my discussion with Foucault’s idea of&#xD;
suicide which impressed Deleuze, the idea that suicide can be an art creating a new mode of&#xD;
existence. Necessary for this creation is the incorporation of the force or power of the outside,&#xD;
which is the absolute other of thought and of life and yet affects both. According to Hume’s&#xD;
insight, which also interested Deleuze, God may be one of many representations of this&#xD;
unknown outside. Hence death, made an art in the manner of Foucault, may be described in&#xD;
religious terms. Along this line of thought, in the following chapters I address three types of&#xD;
religious images of suicidal death that are found in Deleuze’s works and can be translated&#xD;
into attempts at folding the outside. In Chapter 2, I discuss the death of the martyr which&#xD;
Deleuze finds in Leibniz. In this death, the incorporation of the power of the outside by the&#xD;
one who dies results in the accomplishment of one’s subjectivity by imitating the unity of&#xD;
God as a representation of the outside. In Chapter 3, I discuss the death of Christ which&#xD;
Deleuze relates to Spinoza’s thought. In this death, the incorporation of the power of the&#xD;
outside amounts to the dissolution of the self of the dying person into Nature, embodying the&#xD;
multiplicity of the effects of this power beyond the unity of representation. In Chapter 4, I&#xD;
discuss the death of Dionysus as Antichrist which Deleuze reads in Nietzsche. In this death,&#xD;
the incorporation of the force of the outside leads the one who dies to exercise this force as&#xD;
one’s own force upon oneself in one’s act of self-destruction until one shatters the unity of&#xD;
God and the identity of the self. I will show that Deleuze conceived of these deaths as&#xD;
realizations of novel states of the mind and the body comparable to different types of music.&#xD;
Proceeding from the first death to the second and then the third, the one who dies exposes&#xD;
oneself to the outside more thoroughly. The forms of music realized in these deaths vary&#xD;
from the completion of harmony, with recourse to unity, to the enjoyment of disharmony as&#xD;
multiplicity in itself. In the series of these images of death, suicide manifests itself as an&#xD;
attempt at making oneself into a piece of music which the one who dies plays and listens to&#xD;
until the end, creating the multiplicity to be affirmed by one’s act of killing oneself.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Body now and not yet: an exegetical study of the Apostle Paul’s anthropology, eschatology, and ethics in first Corinthians</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5818" />
    <author>
      <name>Martini, Jeromey Quinn</name>
    </author>
    <id>http://hdl.handle.net/1842/5818</id>
    <updated>2012-02-21T14:37:39Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Body now and not yet: an exegetical study of the Apostle Paul’s anthropology, eschatology, and ethics in first Corinthians
Authors: Martini, Jeromey Quinn
Abstract: My study is a first step toward understanding the lived experience of the&#xD;
earliest followers of Christ. Restricting my study to Paul’s portrayal of believers in 1&#xD;
Corinthians, I focus where Paul’s anthropology, eschatology, and ethics converge,&#xD;
asking: How does Paul propose believers live as bodies in the eschatological tension&#xD;
that comprises Christ’s resurrection and return – believers belonging still to the&#xD;
κόσμος, already to Christ?&#xD;
My primary aim is to establish the premises that in 1 Corinthians believers&#xD;
are indistinguishable from bodies: believers are bodies. I establish my premiss by&#xD;
closely examining Paul’s concept of death as he argues it in 1 Corinthians 15. I argue&#xD;
that there Paul portrays believers consistently as bodies: whether bodies dead or&#xD;
bodies alive, believers are bodies.&#xD;
My aim, secondarily, is to relate that premiss to the believer’s lived&#xD;
experience as Paul portrays it. If Paul portrays believers always as bodies, how does&#xD;
he expect believers-as-bodies to live in the world as he conceives it? I apply my&#xD;
premiss to Paul’s contention in 1 Corinthians 6 that πορνεία uniquely violates the&#xD;
body. Before unpacking Paul’s argument about πορνεία and the body, however, I&#xD;
first address the question: What is πορνεία? After reviewing competing proposals on&#xD;
πορνεία’s meaning, I examine primary Second Temple sources on πορνεία before&#xD;
proposing that πορνεία functions in the Second Temple period chiefly as an othering&#xD;
term, distinguishing the faithful from ‘Others’. I then turn to 1 Corinthians 6.12-20&#xD;
and Paul’s argument concerning believers-as-bodies and πορνεία. I conclude that&#xD;
Paul there presents believers as bodies that belong already materially to the Lord,&#xD;
though they belong still to the κόσμος that contests the Lord. Believers are bodies ‘in&#xD;
Christ’, in the κόσμος, constituent of each.&#xD;
I approach Paul exegetically and ideationally. I read Paul’s arguments and&#xD;
their inherent logics as they present themselves to me and I defend my reading of&#xD;
them. I make no claims about the social reality Paul’s arguments represent, nor do I&#xD;
claim either a foundational or a final reading of 1 Corinthians, Paul, or Paul’s&#xD;
followers. I offer in the end the barest beginning of an examination of the lived&#xD;
experience of the earliest recorded followers of Christ – a platform from which to&#xD;
consider more broadly lived experiences in Christian origins. I achieve a perspective&#xD;
from which to assess Paul’s followers, concluding with some ideas for further study.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>At the left hand of Christ: the arch-heretic Marcion</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5817" />
    <author>
      <name>Moll, Sebastian</name>
    </author>
    <id>http://hdl.handle.net/1842/5817</id>
    <updated>2012-02-21T14:36:19Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: At the left hand of Christ: the arch-heretic Marcion
Authors: Moll, Sebastian
Abstract: Marcion is unanimously acknowledged to be one of the most important and most&#xD;
intriguing figures of the Early Church. In spite of this importance, there is no&#xD;
comprehensive up-to-date study on his life and thought. Thus, the desire to fill this gap&#xD;
within the academic world – which is inconvenient for both students and professors alike&#xD;
– has been my inspiration for writing this thesis.&#xD;
However, this work does not only aim at providing a complete study on Marcion for the&#xD;
twenty-first century, but also at ridding scholarship from several severe misconceptions&#xD;
regarding the arch-heretic. The main argument of my study is that previous scholarship&#xD;
has turned Marcion’s exegesis of Scripture upside down. He did not find the inspiration&#xD;
for his doctrine in the teachings of the Apostle Paul, it is the Old Testament and its&#xD;
portrait of an inconsistent, vengeful and cruel God which forms the centre of his&#xD;
doctrine. Marcion does not understand the Old Testament in the light of the New, he&#xD;
interprets the New Testament in the light of the Old. This insight casts a new light on&#xD;
Marcion’s place within the history of the Church, as the initiator of a fundamental crisis&#xD;
of the Old Testament in the second century. But not only did he have an enormous&#xD;
influence on Christian exegesis, he also stands at the beginning of the epochal fight&#xD;
between orthodoxy and heresy. As the first man to ever officially break with the Church,&#xD;
and whose biography would become a stereotype for future heresiologists, Marcion can&#xD;
rightfully claim the title of ‘arch-heretic’.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Divine illumination in Augustinian and Franciscan thought</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5816" />
    <author>
      <name>Schumacher, Lydia Ann</name>
    </author>
    <id>http://hdl.handle.net/1842/5816</id>
    <updated>2012-02-21T14:35:56Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Divine illumination in Augustinian and Franciscan thought
Authors: Schumacher, Lydia Ann
Abstract: In this thesis, my purpose is to determine why Augustine’s theory of&#xD;
knowledge by illumination was rejected by Franciscan theologians at the end of the&#xD;
thirteenth century. My main methodological assumption is that Medieval accounts of&#xD;
divine illumination must be interpreted in a theological context, or with attention to a&#xD;
scholar’s underlying doctrines of God and of the human mind as the image of God,&#xD;
inasmuch as the latter doctrine determines one’s understanding of the nature of the&#xD;
mind’s cognitive work, and illumination illustrates cognition.&#xD;
In the first chapter, I show how Augustine’s understanding of illumination&#xD;
derives from his Trinitarian theology. In the second chapter, I use the same&#xD;
theological methods of inquiry to identify continuity of thought on illumination in&#xD;
Augustine and Anselm. The third chapter covers the events of the twelfth and early&#xD;
thirteenth centuries that had an impact on the interpretation of illumination, including&#xD;
the Greek and Arabic translation movements and the founding of universities and&#xD;
mendicant orders. In this chapter, I explain how the first Franciscan scholars&#xD;
transformed St. Francis of Assisi’s spiritual ideals into a theological and&#xD;
philosophical system, appropriating the Trinitarian theology of Richard of St. Victor&#xD;
and the philosophy of the Arab scholar Avicenna in the process.&#xD;
Bonaventure is typically hailed the great synthesizer of early Franciscan&#xD;
thought and the last and best proponent of traditional Medieval Augustinian thought.&#xD;
In the fourth chapter, I demonstrate that Bonaventure’s Victorine doctrine of the&#xD;
Trinity both enabled and motivated him to assign originally Avicennian meanings to&#xD;
philosophical arguments of Augustine and Anselm that were incompatible with the&#xD;
original ones. In the name of Augustine, in other words, Bonaventure introduced a&#xD;
theory of knowledge that is not Augustinian. In the fifth chapter, my aim is to throw&#xD;
the non-Augustinian character of Bonaventure’s illumination theory into sharper&#xD;
relief through a discussion of knowledge and illumination in the thought of his&#xD;
Dominican contemporary Thomas Aquinas. Although Aquinas is usually supposed&#xD;
to reject illumination theory, I show that he only objects to the Franciscan&#xD;
interpretation of the account, even while he bolsters a genuinely Augustinian account&#xD;
of knowledge and illumination by updating it in the Aristotelian forms of&#xD;
philosophical argumentation that were current at the time.&#xD;
In the final chapter, I explain why late thirteenth-century Franciscans&#xD;
challenged illumination theory, even after Bonaventure had enthusiastically&#xD;
championed it. In this context, I explain that that they did not reject their&#xD;
predecessor’s standard of knowledge outright, but only sought to eradicate the&#xD;
intellectually offensive interference of illumination, as he had defined it, which they&#xD;
perceived as inconsistent with the standard, in the interest of promulgating it.&#xD;
In concluding, I reiterate the importance of interpreting illumination as a&#xD;
function of Trinitarian theology. This approach throws the function of illumination&#xD;
in Augustine’s thought into relief and facilitates the effort to identify continuity and&#xD;
discontinuity amongst Augustine and his Medieval readers, which in turn makes it&#xD;
possible to identify the reasons for the late Medieval decline of divine illumination&#xD;
theory and the rise of an altogether unprecedented epistemological standard.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Speech motor control variables in the production of voicing contrasts and emphatic accent</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5815" />
    <author>
      <name>Mills, Timothy Ian Pandachuck</name>
    </author>
    <id>http://hdl.handle.net/1842/5815</id>
    <updated>2012-02-21T14:35:22Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Speech motor control variables in the production of voicing contrasts and emphatic accent
Authors: Mills, Timothy Ian Pandachuck
Abstract: This dissertation looks at motor control in speech production. Two specific questions&#xD;
emerging from the speech motor control literature are studied: the question&#xD;
of articulatory versus acoustic motor control targets, and the question of whether&#xD;
prosodic linguistic variables are controlled in the same way as segmental linguistic&#xD;
variables.&#xD;
In the first study, I test the utility of whispered speech as a tool for addressing&#xD;
the question of articulatory or acoustic motor control targets. Research has been&#xD;
done probing both sides of this question. The case for articulatory specifications&#xD;
is developed in depth in the Articulatory Phonology framework of Haskins researchers&#xD;
(eg. Browman &amp; Goldstein 2000), based on the task-dynamic model&#xD;
of control presented by Saltzman &amp; Kelso (1987). The case for acoustic specifications&#xD;
is developed in the work of Perkell and others (eg Perkell, Matthies,&#xD;
Svirsky &amp; Jordan 1993, Guenther, Espy-Wilson, Boyce, Matthies, Zandipour &amp;&#xD;
Perkell 1999, Perkell, Guenther, Lane, Matthies, Perrier, Vick,Wilhelms-Tricarico&#xD;
&amp; Zandipour 2000). It has also been suggested that some productions are governed&#xD;
by articulatory targets while others are governed by acoustic targets (Ladefoged&#xD;
2005).&#xD;
This study involves two experiments. In the first, I make endoscopic video&#xD;
recordings of the larynx during the production of phonological voicing contrasts&#xD;
in normal and whispered speech. I discovered that the glottal aperture differences&#xD;
between voiced obstruents (ie, /d) and voiceless obstruents (ie, /t) in&#xD;
normal speech was preserved in whispered speech. Of particular interest was the&#xD;
observation that phonologically voiced obstruents tended to exhibit a narrower&#xD;
glottal aperture in whisper than vowels, which are also phonologically voiced.&#xD;
This suggests that the motor control targets of voicing is different for vowels than&#xD;
for voiced obstruents. A perceptual experiment on the speech material elicited in the endoscopic recordings elicited judgements to see whether listeners could&#xD;
discriminate phonological voicing in whisper, in the absence of non-laryngeal&#xD;
cues such as duration. I found that perceptual discrimination in whisper, while&#xD;
lower than that for normal speech, was significantly above chance. Together, the&#xD;
perceptual and the production data suggest that whispered speech removes neither&#xD;
the acoustic nor the articulatory distinction between phonologically voiced&#xD;
and voiceless segments. Whisper is therefore not a useful tool for probing the&#xD;
question of articulatory versus acoustic motor control targets.&#xD;
In the second study, I look at the multiple parameters contributing to relative&#xD;
prominence, to see whether they are controlled in a qualitatively similar way to&#xD;
the parameters observed in bite block studies to contribute to labial closure or&#xD;
vowel height. I vary prominence by eliciting nuclear accents with a contrastive&#xD;
and a non-contrastive reading. Prominence in this manipulation is found to be&#xD;
signalled by f0 peak, accented syllable duration, and peak amplitude, but not&#xD;
by vowel de-centralization or spectral tilt. I manipulate the contribution of f0 in&#xD;
two ways. The first is by eliciting the contrastive and non-contrastive readings in&#xD;
questions rather than statements. This reduces the f0 difference between the two&#xD;
readings. The second is by eliciting the contrastive and non-contrastive readings&#xD;
in whispered speech, thus removing the acoustic f0 information entirely. In the&#xD;
first manipulation, I find that the contributions of both duration and amplitude&#xD;
to signalling contrast are reduced in parallel with the f0 contribution. This is a&#xD;
qualitatively different behaviour from all other motor control studies; generally,&#xD;
when one variable is manipulated, others either act to compensate or do not react&#xD;
at all. It would seem, then, that this prosodic variable is controlled in a different&#xD;
manner from other speech motor targets that have been examined. In the&#xD;
whisper manipulation, I find no response in duration or amplitude to the manipulation&#xD;
of f0. This result suggests that, like in the endoscopy study, perhaps&#xD;
whisper is not an effective means of perturbing laryngeal articulations.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Effect of emotion on attentional processing</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5814" />
    <author>
      <name>Finucane, Anne Margaret</name>
    </author>
    <id>http://hdl.handle.net/1842/5814</id>
    <updated>2012-02-21T14:27:59Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Effect of emotion on attentional processing
Authors: Finucane, Anne Margaret
Abstract: Previous research on the relationship between emotion and attention has&#xD;
focused primarily on attention to emotionally valenced stimuli; trait anxiety and&#xD;
attentional biases for threat; or the relationship between emotion and attention in&#xD;
clinical contexts. Few studies have investigated the effect of emotion on attentional&#xD;
processing irrespective of the valence of the stimuli that is being attended.&#xD;
However, such studies are important as they shed light on issues central to&#xD;
emotions theory such as whether the experience of discrete emotions is associated&#xD;
with distinct patterns of attentional processing. In this thesis six experiments and&#xD;
one correlational study are described. The experimental studies investigate whether&#xD;
the experience of discrete emotions - specifically amusement, happiness, sadness&#xD;
and fear - influence attentional processing in comparison to a neutral condition.&#xD;
Film clips, emotional images and music were used to elicit a target emotional state.&#xD;
A modified version of the Attention Network Test (ANT) was used to assess three&#xD;
forms of attention – phasic alerting, covert exogenous orienting and executive&#xD;
attention. The correlational study required participants to complete a set of&#xD;
emotion-related questionnaires including the Basic Emotion Scale (BES) and to&#xD;
perform the ANT. The results suggest that: i) fear reduces executive attention costs,&#xD;
ii) sadness reduces intrinsic alerting, but does not influence alerting, orienting or&#xD;
executive attention, iii) amusement and happiness do not differentially influence&#xD;
alerting, orienting or executive attention, iv) individual differences in the tendency&#xD;
to experience high arousal negative emotions are associated with phasic alerting, i.e.&#xD;
faster mobilisation of attentional resources in response to an impending stimulus&#xD;
and v) exogenous orienting of attention may be impervious to the influence of&#xD;
emotion, at least in context of neutrally valenced stimuli. Results relating to anxiety,&#xD;
emotion regulation and attention network performance are also discussed. Taken&#xD;
together these findings provide only limited support for the broaden-and-build&#xD;
theory (Fredrickson, 1998) of positive emotions. Amusement and happiness did not&#xD;
result in broadening (as assessed by executive attention costs) in the present studies.&#xD;
An attentional narrowing effect was found for fear but not for sadness. It is&#xD;
proposed that fear, but not sadness, facilitates inhibition and reduces executive&#xD;
attention costs, indicative of more focused attention. The results here also suggest a relationship between negative emotions characterised by high arousal and phasic&#xD;
alerting – an aspect of attention which has received little coverage in emotions&#xD;
research to date. Implications relating to the use of the ANT as a measure of&#xD;
attentional performance, and the challenges associated with manipulating emotion&#xD;
in a lab setting are discussed.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Open-air preaching as radical street performance</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5813" />
    <author>
      <name>Blythe, Stuart McLeod</name>
    </author>
    <id>http://hdl.handle.net/1842/5813</id>
    <updated>2012-02-21T14:26:57Z</updated>
    <published>2009-11-26T00:00:00Z</published>
    <summary type="text">Title: Open-air preaching as radical street performance
Authors: Blythe, Stuart McLeod
Abstract: In this thesis I examine the ways in which analysing open-air preaching as ‘radical&#xD;
street performance’ can inform our understanding of this expression of Christian&#xD;
preaching. Open-air preaching is commonly associated with negative stereotypes.&#xD;
Most contemporary homiletical writers also largely neglect considering this practice.&#xD;
Through my research, I posit radical street performance as a constructive and&#xD;
illuminating way to understand and analyse open-air preaching.&#xD;
In chapter 1, I introduce the practice of open-air preaching in relation to relevant&#xD;
homiletical literature. In so doing, I challenge the commonly held stereotypes about&#xD;
open-air preaching. I do so with reference to the long and diverse nature of the&#xD;
practice. In chapter 2, I critically analyse existing ‘preaching as performance’&#xD;
literature. I first demonstrate the ways in which these authors show the suitability of&#xD;
performance as a concept for understanding preaching. I then go on to consider the&#xD;
limitations of their understandings of preaching as performance for exploring open-air&#xD;
preaching in performance terms. I do this to establish the immediate theoretical&#xD;
context for my own research. In chapter 3, I develop this argument further drawing&#xD;
on the work of performance theorists Jan Cohen-Cruz and Baz Kershaw. I argue&#xD;
accordingly, that radical street performance is a valuable way of understanding and&#xD;
analysing open-air preaching as performance.&#xD;
On the basis of these theoretical and methodological foundations, in chapters 4-6, I&#xD;
explore three case studies of open-air preaching according to this analytical&#xD;
approach. In chapter 4, I focus on the late eighteenth and early nineteenth century&#xD;
evangelical preaching of James Haldane (1768-1851), whose open-air preaching was&#xD;
directly related to his move to congregational Independency. In chapter 5, I explore&#xD;
the early to mid twentieth century open-air preaching of George MacLeod (1895-&#xD;
1991), founder of the Iona Community. In chapter 6, I analyse the open-air preaching&#xD;
of OAC Ministries GB, a contemporary organisation that seeks to promote and&#xD;
practice open-air preaching in a creative way. The outcomes of the original research in chapters 4, 5, and 6 demonstrate the&#xD;
applicability and versatility of radical street performance as a way of understanding&#xD;
and analysing open-air preaching in performance terms. It also provides original&#xD;
understandings of the dynamics of each example of open-air preaching examined,&#xD;
highlighting differences and similarities between them.&#xD;
In chapter 7, I draw together by way of conclusions, the theoretical, theological, and&#xD;
practical outcomes of the research for the practice of open-air preaching and the&#xD;
consequent implications for in-church preaching. In this way I present open-air&#xD;
preaching as a minority but significant practice of incarnational witness which exists&#xD;
in a tensive relationship with the dominant practice of in-church preaching.</summary>
    <dc:date>2009-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Constructing 'Buddhism': a comparative analysis of Buddhist group narratives in Scotland</title>
    <link rel="alternate" href="http://hdl.handle.net/1842/5812" />
    <author>
      <name>Rödel, Alexander</name>
    </author>
    <id>http://hdl.handle.net/1842/5812</id>
    <updated>2012-02-21T14:26:38Z</updated>
    <published>2008-06-26T23:00:00Z</published>
    <summary type="text">Title: Constructing 'Buddhism': a comparative analysis of Buddhist group narratives in Scotland
Authors: Rödel, Alexander
Abstract: This thesis examines some mechanisms underpinning the construction of the public&#xD;
discourse on Buddhism in Scotland in general and Buddhist group narratives about&#xD;
Buddhism in particular.&#xD;
Chapter 1 introduces the object of study as well as research questions and describes the&#xD;
methodology applied, which is grounded in a study-of-religions (Religionswissenschaft) perspective.&#xD;
Chapter 2 discusses some theoretical accounts in the study of Buddhism(s) and investigates&#xD;
the creation of an ontologised category Buddhism as a scholarly object within the 'world religions'&#xD;
paradigm. It furthermore argues for the study of 'Buddhism' to focus on the actual human&#xD;
agents involved as well as on historico-regional aspects of the framework within which a&#xD;
discourse on Buddhism is constructed.&#xD;
Chapter 3 provides a historical contextualisation of Buddhist groups in Scotland and&#xD;
examines the construction of 'Buddhism' within a selection of three Buddhist groups located in&#xD;
Scotland. These are the Friends of the Western Buddhist Order, the community around Karma Kagyü&#xD;
Samyé Ling, and the Thai-Scottish Association around Wat Dhammapadipa.&#xD;
Chapter 4 concludes the study and provides a comparison of the Buddhism discourses&#xD;
constructed in these three groups. It also highlights general rules underpinning the public&#xD;
discourse on Buddhism in Scotland and locates this discourse in the wider field of the concept&#xD;
of the 'European history of religions' (Europäische Religionsgeschichte).</summary>
    <dc:date>2008-06-26T23:00:00Z</dc:date>
  </entry>
</feed>


